Asia and Europe. Discourse, Circulation and Representation
Organized by the Doctoral Program Asia & Europe
Program Interdisciplinary Autumn School 2019 is being updated at the moment and will be available here shortly.
Beschreibung: Autumn School 2019 (PDF, 113 KB)
The Interdisciplinary Doctoral Program Asia & Europe at Zurich University invites all interested doctoral students and early postdocs to a one-week intensive seminar program “Asia & Europe”. The program offers a stimulating and interactive learning experience, establishing an optimal framework for a discipline-specific yet interdisciplinary cross-cultural research dialogue. The intensive seminar program is funded by swissuniversities (www.swissuniversities.ch) and is designed to especially promote national and international scholarly exchange. The seminar aims to contribute to strengthening academic cooperation especially among Swiss universities, focusing on cross-cultural exchanges and transhistorical entanglements between Asia and Europe from a comparative perspective. Doctoral students and early postdocs from universities outside of Switzerland are also welcome to apply. The intensive seminar week will offer an interdisciplinary and multidisciplinary program organized into two workshops with renowned national and international experts in their respective fields.
Workshop Museology and Museography
Confirmed speakers: Elisa Ambrosio (Vitrocentre Romont), Jeanne Fichtner-Egloff (Historical and Ethnological Museum, Sankt-Gallen), Susanne Pollack (Graphic Collection, ETH Zurich); Alban von Stockhausen (Bern Historical Museum), Maria Khayutina (Ludwig Maximilian University of Munich), Adam Smith (Penn Museum, University of Philadelphia), Hans Bjarne Thomsen (Zurich University)
In our globalized world, art curators and researchers collaborating with museums have to work in and with diverse and multifaceted geographical, cultural and socio-political contexts. Universities worldwide are progressively introducing elements of curatorial practice as part of their study curricula, with the aim to offer their students the necessary skills not only to collaborate in international frameworks and address multicultural audiences effectively. They also want to ensure that students pay attention to decolonization processes and post-colonial realities, and complex inter- and transdisciplinary approaches, as well as develop an awareness of adequate representations of minorities, gender, or cultural and religious communities.
Curatorship is a powerful instrument to communicate understanding of transformation processes or knowledge production and preservation. It represents an attractive opportunity and an alternative career beyond or beside the traditional tracks of academia that can appeal to both junior scholars who have acquired a specific expertise in Art History and Conservation and to those who have a training in Ethnography, Anthropology, and Area Studies among other disciplines.
The workshop combines both a theoretical and a practical approach. It aims at providing a detailed overview of the different aspects involved in the organization of a successful art exhibition, from the identification of an attractive concept to the actual thematic display of objects, problematizing the process of representation and preservation in exhibitions and art collections. The workshop addresses issues such as the evolution from collectors and private collections to the Renaissance concept of the “public museum;” the landscape of contemporary museums; different aspects of curatorial practice, and in particular the handling, transportation, storage, and display of art works; the restauration and conservation of works of art; different display methods and techniques; opportunities, challenges and career prospects of curatorship as a profession. Scholars will provide an extensive theoretical introduction to museology as a discipline, while curators from national and international museums and institutions managing different kinds of collections will contribute their expertise and personal experience, giving insights, practical training, and advice on how to design exhibitions and manage museums. The seminar also includes active training through guided tours and visits to the Riedberg Museum, Graphische Sammlung ETH Zurich and Johann Jacobs Museum.
Lecture: Adam D. Smith (University of Pennsylvania): “Owning the Loot: Interpretational obligations and opportunities for museums holding works of art acquired as the spoils of war”; Monday, Sept. 30th,16:30-18:30h at RAA Aula.
Mentoring program: Career opportunities for young researchers (Zurich University Graduate Campus Grant). Financed by the Graduate Campus of Zurich University, the seminar will also offer several scheduled networking opportunities during the week and a focused career coaching program at the end of the workshop. The aim is to introduce young scholars to researchers at Zurich University and to curators of renowned museums in Switzerland in order to establish lasting professional networks.
Application: September 16, 2019, via e-mail to Milena Guthörl: email@example.com
Wolfgang Behr, Milena Guthörl, Lisa Indraccolo, Marcel Schneider, Tobias Weiss